In fact, they can cancel gruesomely at certain frequencies if there are polarity or phase mismatches - so you need a clear understanding of phase and polarity! There's an in-depth article on the SOS web site ( /sos/apr08/articles/phasedemystified.htm) but I'll run through the basics. Such shenanigans give you tremendous power to refine your sound, but also enough rope to hang yourself, because the layers don't always reinforce each other when mixed. Cancellation InsuranceĪ bass 'sound' is often a combination of several similar signals: for example, electric bass can be multi-miked a DI signal may be captured and you might introduce MIDI-triggered layers to fill things out further. In this article, I'll help you make sense of all that, whatever instruments or genre you're working with. Each can perform many musical roles, and every genre has different conventions for low-end sonics. When it comes to instruments, 'bass' can mean (at the very least) guitar, upright, drum or synth. How do I mix bass? It's a simple question, but compare a dozen records picked at random and you'll see that there's no simple answer. Avoid all the low-frequency pitfalls and learn to achieve the perfect foundation for any mix, with our bass-mixing masterclass.
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